5069 words lope de Vegas plays present the democratisation of honour without an undermining of the absurd hierarchy to which Spains crumbling complaisant structure clung.         The accession of Charles V (1516-56) initiated that breathing out of Spanish culture and history known as the leisurely Age: a meter in which Spain bore solution to a myriad of famous figures in both writings and the arts, including the painters Velázquez and El Greco and the poets and writers St. Teresa de ÃÂvila, Cervantes and Quevado. Not least amongst these names would be those of the dramatists Tirso de Molina, nudge de Vega and Calderón de la Barca, three writers linked inextricably with the Spanish comedia: a form of drama which they helped to make famous.         Yet by the end of the sixteenth century, Spain had lost control of much of its imperium as swell as the majority of its once cracking wealth, and the accession of Philip III (1598-162 1) marked a time in which literary excellence and courtly splendour masked political, fond and religious instability: the influx of American bullion had caused an inflationary spiral with which Spains economy was unable to cope, and now war, famine, pestilence and indispensability filled the land.

The result was that the Spanish people moved by from the materialism that was increasingly denied them and embracing vaguer but less natural prizes: religion, honour, purity of blood and nobility. (McKendrick, 1989, p.4) This preoccupation with such ideals was founded on memories of the cover forth time that Spain society had witnessed constancy and solidity: the time in which the Cathol ic Monarchs, Ferdinand and Isabella (1474-15! 16), had united the kingdoms of Castile and Aragon by their marriage. As well as the religious orthodoxy and uniformity that was imposed with the establishment of the inquisition in 1478, fundamental to this social order was the centralization... If you want to define a full essay, order it on our website:
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